» Nonsite Author: Stephen Melville
July 17th, 2017
nighthighway
“Art and Objecthood” Word by Word
By (Ohio State University)

No one likes to be taken seriously when they are speaking lightly. And nobody likes to be told they are not serious when they believe they are. But the encounters staged around the various remarks quoted in “Art and Objecthood” are not exactly either of these: the question of seriousness is not being raised by Fried in the face of what the artists have said but is presented as already there in what they say—and as unheard there by them.

July 1st, 2012
Velázquez, Los Borrachos (1628-29)
Intention, Interpretation, and the Balance of Theory
By (Ohio State University)

As I try to make this out I may find myself hesitating among several possibilities: that Manet simply took advantage of the earlier painting’s meaninglessness; that he was in some way actively interested in the palpable discontinuity within the painting between artist’s intention and unrealized meaning; that his own painting stands as a reading of Velázquez’s, where reading means something distinct from but not without relation to interpretation.

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