Skip to content Skip to sidebar Skip to footer

Issue #13: The Latin American Issue

In nonsite’s thirteenth issue, we turn to the contemporary relationship between literature and politics in Latin America today. Edited by Eugenio Di Stefano and Emilio Sauri.

Inside the issue

Cinematic Irony: The Strange Case of Nicholas Ray’s Johnny Guitar

A dominant “knowing irony” can suggest the kind of uncertainty, or reluctance to take any side in some important dispute, which is inconsistent with the high seriousness and mythic ambition of great Westerns. In the crisis situations portrayed in Westerns, indulge such an irony and you begin to sound like a Lee Marvin character, a cynic. The great problem in great Westerns is the possibility of and the nature of and especially the cost of civilized life itself.

Read more

Making it Visible: Latin Americanist Criticism, Literature, and the Question of Exploitation Today

This conception of art, however, is not just limited to fiction; and indeed, it also underlies a dominant strain of Latin Americanist thought that comprises the focus of this essay, and for which this unframing has been conceived as a point of departure for a host of theoretical positions not just on art, nor on literature alone, but on politics as well. These positions includethe testimonio criticism, affect theory, postautonomy, and posthegemony. Despite apparent differences between these, we argue that what has unified Latin Americanist criticism and theory at least since the 1980s, is this question of the frame, or more precisely, the effort to imagine how the text dissolves it.

Read more

Reading for Affect, from Literature and Film to Facebook and #Occupy: Why an Epistemological Lens Matters in the Criticism of Capitalist Cultural Politics

There is certainly an important place for what we might call experiential heuristics—the empiricist teasing out of emotional ontologies on the basis of experience to define what it means to be a sentient living being. There is an equally important place for the definition of a politics of feeling, as distinct from a politics of reasoning. What I suggest in the present intervention is that to engage with affect on either of these planes without considering the epistemological basis for our current cultural interest in and privileging of affective logic and inquiry is tantamount to missing the forest of knowledge construction for the trees of knowledge subsets.

Read more

From Posthegemony to Pierre Menard

Likewise, if meaning is made by the reader, then the difference between the two texts could never be the kind that Borges’s narrator identifies which essentially derive from the difference between two authors and their intentions and not the difference between two contexts of reading, or two experiences of reading. Specifically, like in Cortázar text above, the differences would have to include everything that is part of the reader’s experience of them, including, for example, the typographical differences between Cervantes’s Don Quixote and Menard’s.

Read more

Towards an Art of Landscapes and Loans: Sergio Chejfec and the Politics of Literary Form

Without a representation of the operation of the credit system and the knowledge that comes from it, we are limited to sensing debt as simply part of our own experiences, as something natural and determined. In a period in which credit is absorbed into the flow of everyday life, where debt is both everywhere invisible and indeterminate, how can we see capital and map our relation to it?

Read more

The Question of Cynicism: A Reading of Horacio Castellanos Moya’s La diáspora (1989)

My claim is not only that La diáspora has nothing to do with failed cynicism or even with cynicism as such but that it gives us, even if in an imperfect, inconclusive way, as it happens frequently with first novels, the beginnings of a literary endeavor that I would consider the very opposite of a cynical enterprise for contemporary times. And, beyond that, it also gives us a new figure of the Central American writer—one that, by running frontally against all kinds of prejudices held by so-called first-world intellectuals and their clients, may have something important to teach us regarding the function of literary narrative today. Or at least the function of Castellanos Moya´s literary narrative.

Read more

Response to Jay and Sustar & Bean

Both these pieces betray a really naïve or underdeveloped understanding of electoral action, its costs and benefits, the unavoidable messiness of engaging in it. And, by the way, the same messiness applies to all efforts to build and maintain broad alliances, all of which require finding ways to navigate locating points of agreement and looking the other way at least temporarily at potentially serious differences and contradictions.

Read more