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Unemployment is both a problem and a solution. It’s a problem for the unemployed, who want work, a solution for employers who not only want workers but also want the cheapest ones they can get.

Marie Claire and affect theory; Gombrich and neoliberalism; reparations for the ugly and the continuing hold of Degenerate art.

Not only is everything that was good about The Wire, such as use of silence and nuance to make points and to evoke the effects of deep structural forces and a narrative that is decidedly and proudly not moved along by music or soap operatic plot devices, bad about Treme; Simon is also in way over his head. His vision has been captured and colonized by the touristic discourse of “real” authenticity.

The dimension of a free life that Hegel is interested in has not, by virtue of these critiques, been superseded or gone away, unless we have some way of understanding what it would be to actually acknowledge such a departure in life. The postmodernist critique of subjectivity is “overdone” to the extent that it leaves us with no concrete way to understand what the actual position of subjectivity should look like to an agent.