» Nonsite Author: Jennifer Ashton
December 1st, 2011
carnation bowl

The Motive for Metonymy (A Parochial Theme in Two Parts)

But how can one person actually feel another person’s a? More plausibly, we might think that the causal chain involves a proliferation of effects from the same a — not different subjects having the same feelings about a, but the same a producing different feelings in different subjects. But then we also have a different source of pathos — how can I tell if my a is the same as your a? Not how can I feel another person’s a, but how can I know another person’s a?

Article, Issues, Issue #4 | Comments Off

June 12th, 2011
The Policeman

Two Problems with a Neuroaesthetic Theory of Interpretation

…if we’re thinking like Mark Johnson, we can simply add these examples to our bucket of evidence that the human mind is structured by our bodily orientation in space, and hence so is our art. Put that way, the difference between having an account of the meaning of the work and having an account of its causes is not only easy to see, but, I would argue, an easy strike against the kinds of neuro approaches I’ve been describing thus far.

Article, Issues, Issue #2 | No Comments

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