Editorials

The Whole Country is the Reichstag

A crucial characteristic of the current situation is that the antagonism between the pragmatic and the visionary that liberals have often used as a cudgel against left aspirations and programs—the ubiquitous “now is not the time” or “don’t let the perfect be the enemy of the good”—is passé. The way forward, both to avert the most dangerous possibilities and to begin working seriously to change the terms of political debate, is to push for and propagate a public good framework for government.

Why Black Lives Matter Can’t be Co-opted

We absolutely do not need to figure out how to make anti-racism anti-capitalist. We need to figure out how to start trying to build a mass movement around appealing to the material needs of the broad working-class.

Deneocolonize Your Syllabus

It hardly needs saying that the term “decolonize” once meant something wholly different than it does now. To put it not a little too bluntly, in the heyday of the anticolonial movement it was the colonies and the colonized that needed decolonizing, not the colonizers, but now even that need, as we like to say, has been “colonized.” Of course we understand that the “decolonize” in the slogan “decolonize your syllabus” is metaphorical, that it means diversify or “decenter” (as we also like to say), but that does little to allay the fact that, formally, rhetorically, it collapses the distinction between colonizer and colonized. Sometimes, decentering oneself and one’s syllabi means little more than absolving oneself of accountability for the colonial past. Just to give it a name, we might call this phenomenon “colonial narcissism.”

Betting on “The Greek”: How the NFL Is Banking on Biological Racism

With the Super Bowl set to kick off on Sunday and media-fueled football fanfare ramping up accordingly, it is worth revisiting the NFL’s preseason scandal that wasn’t—its apparent use of biological racism in denying the compensatory claims of black former players for traumatic brain injuries sustained while playing in the league. Here we interrogate this case, the impotence of disparitarian antiracism to confront it, and its implications for egalitarian politics.

The Work of Feelings in Public Schools

Public schools that design curriculum to focus on belonging and social emotional skills are training students for low-wage jobs—and non-ironically calling this training equity and inclusion. Valorizing equity in this way—at the level of feelings—doesn’t only mean pushing aside teaching novels and covering anti-racist art if it makes students feel bad. It also means cultivating a principled indifference to the real wages of the working poor, including those who work for public schools.

Why Do Universities (Still) Have Endowments?

While trustees of institutions with large endowments may think they’re guarding intergenerational equity or intragenerational equity (in the form of expanded access in the present), they are really merely mounting vigorous campaigns of wealth accumulation that increase inequality. So why do these universities still have endowments?

How Not to Tackle COVID-19: Butler’s Anticapitalism

By contrast, the wonderful thing about a socialist perspective is that it doesn’t ask you to show your ID papers, to demonstrate your worthiness, to haul out the testimony of ancestors—or even for that matter to account for proximate causes (like whether you smoke or eat pork or drink alcohol and soft drinks). Socialism doesn’t care how you got those comorbidity factors (diabetes, a heart condition, hypertension, etc.) that play an outsized role in the current health crisis. You’re going to get the healthcare you need because everyone is going to get it.

Open Letter on the Proposed Destruction of a Mural Cycle

A Federal Art Project mural cycle of thirteen panels devised and painted by Victor Arnautoff in 1936 in a San Francisco high school portrays George Washington as a slave owner and as the author of Native-American genocide. It is an important work of art, produced for all Americans under the auspices of a federal government seeking to ensure the survival of art during the Great Depression. Its meaning and commitments are not in dispute. It exposes and denounces in pictorial form the U.S. history of racism and colonialism. The only viewers who should feel unsafe before this mural are racists.

Editorials