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January 14th, 2017
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Three Texts by Allen Grossman
By (UCI)

These three texts are a small part of a significant body of unpublished and uncollected work by the poet and critic Allen Grossman.

January 14th, 2017
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Eulogy for Martin Luther King Jr.

The death of Martin Luther King leaves, in my imagination, no liberal position. Only a radical critique of learning and, if that is still worthwhile, of political life, is sufficient.

January 14th, 2017
Pergamon-Altar_-_Moira_Giganten_2
An Introductory Lecture in The Humanities

Ladies and Gentlemen, the Iliad does not believe in you, the Aeneid does not regard you as real, the Divine Comedy does not understand you — and yet each demands of you that you believe in it, understand it, and regard it as real.

January 14th, 2017
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The Scene of Instruction

“Where is it?” “In this mist.”

January 2nd, 2017
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Encountering “September Sky”
By (Johns Hopkins University)

Nonsite is pleased to announce the publication of Promesse du Bonheur, a collection of new poems by Michael Fried accompanied by more than thirty photographs by James Welling. The book is appearing under the double aegis of nonsite.org and David Zwirner Books, and is available through David Zwirner Books and Amazon. To mark its publication, we offer an essay by Fried analyzing one of the poems in the collection, “September Sky,” along with an abstract photograph by Welling which serves, in the book, as an introduction to the collection.

November 17th, 2016
BOULDER, CO - OCTOBER 28:  Presidential candidate Donald Trump gives a thumbs up during  the CNBC Republican Presidential Debate at University of Colorados Coors Events Center October 28, 2015 in Boulder, Colorado.  Fourteen Republican presidential candidates are participating in the third set of Republican presidential debates.  (Photo by Justin Sullivan/Getty Images)
Listening to Trump
By (New York University)

Contrary to how he was portrayed in the mainstream media Trump did not talk only of walls, immigration bans, and deportations. In fact he usually didn’t spend much time on those themes. Don’t get me wrong, Trump is a racist, misogynist, and confessed sexual predator who has legitimized dangerous street-level hate and his administration will almost certainly be a terrible new low in the evolution of American authoritarianism. But the heart of his message was something different, an ersatz economic populism that spoke directly, clearly and emotionally to legitimate working class concerns.

September 16th, 2016
On the End(s) of Black Politics
By (University of Chicago), (University of Pennsylvania), (University of Illinois at Chicago), (Illinois State University), (Mount Holyoke) and (South Carolina State University)

A politics whose point of departure requires harmonizing the interests of the black poor and working class with those of the black professional-managerial class indicates the conceptual and political confusion that underwrites the very idea of a Black Freedom Movement. The prevalence of such confusion is lamentable; that it go unchecked and without criticism is unacceptable. The essays that appear in this section will critique this tendency and offer in its stead a vision of what we think ought to be.

February 11th, 2016
reparations
Reparations and other Right-Wing Fantasies
By (UIC) and (University of Chicago)

But in a world where inequality has been increasing and where the fastest growing jobs are mainly the lowest paying ones, why should we be inspired by a vision that instead of promising to pay people better, promises only to make sure that the badly-paid are not disproportionately black or Latino? And that men are just as fucked as women? It’s easy to see the attractions of bourgeois anti-racism and bourgeois feminism for white women and people of color seeking to establish themselves among the (shrinking) bourgeoisie. From their standpoint we should be as concerned that black, Latino, or female-owned businesses are relatively poorer than their white or male counterparts as we are with the growing power of employers to obtain labor on increasingly exploitative terms.

October 9th, 2015
The Dialectics of Damage: Art, Form, Formlessness
A Reply to Jennifer Ashton

Is damaged art still art? There are two ways to approach the question. The first is ontological; it is a question of how much a work of art can be changed, damaged, or altered (the water-logged painting, the shattered sculpture, the abridged novel) and still be thought of as the same work. The other way […]

October 8th, 2015
Weiss Pergamon
Totaling the Damage
Revolutionary Ambition in Recent American Poetry

What should the revolutionary poet be doing, when crisis – whether it be economic, social, environmental, or for that matter, aesthetic – appears increasingly frequent, inevitable, and irreversible? Or to ask the question in a slightly different form: What poetic forms do these conditions of crisis seem to require?

October 8th, 2015
Art after Art after Art

Art as such does not pre-exist capitalism and will certainly not survive it, but rather presents an unemphatic alterity to it: art is not the before or after of capitalism, but its determinate other.

June 22nd, 2015
Figure 16
Clement Greenberg and Friedel Dzubas
Ithaca, New York, 1970
Courtesy, Friedel Dzubas Estate Archives
Friedel Dzubas

Pictures from all stages of Dzubas’s art since the 40’s will in time to come thrust themselves increasingly into attention: enough of them to establish him once and for all where he belongs, which is on the heights.

January 26th, 2015
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The Real Problem with Selma
It doesn't help us understand the civil rights movement, the regime it challenged, or even the significance of the voting rights act
By (University of Pennsylvania)

The victory condensed in the forms of participation enabled by the VRA is necessary—a politics that does not seek institutional consolidation is ultimately no politics at all—but not sufficient for facing the challenges that confront us in this moment of rampant capitalist offensive against social justice, but neither are the essentially nostalgic modalities of protest politics often proposed as more authentic than the mundane electoral domain. It is past time to consider Prof. Legette’s aphorism and engage its many implications. And that includes a warrant to resist the class-skewed penchant for celebrating victories won in the heroic moment of the southern civil rights movement as museum pieces disconnected from subsequent black American political history and the broad struggle for social justice and equality.

January 16th, 2015
“B-Side Modernism” Exhibition

An exhibition of images from The Raymond Danowski Poetry Library, selected by our B-Side Fellows to accompany the essays in Issue 15.

September 11th, 2014
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Cinematic Irony: The Strange Case of Nicholas Ray’s Johnny Guitar
By (University of Chicago)

A dominant “knowing irony” can suggest the kind of uncertainty, or reluctance to take any side in some important dispute, which is inconsistent with the high seriousness and mythic ambition of great Westerns. In the crisis situations portrayed in Westerns, indulge such an irony and you begin to sound like a Lee Marvin character, a cynic. The great problem in great Westerns is the possibility of and the nature of and especially the cost of civilized life itself.

August 12th, 2014
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The Theater of Inequality
By (University of Sydney)

Like the ideology undergirding Occupy Wall Street, Piketty’s book exhibits a marked lack of historical consciousness and complexity. Like Occupy Wall Street, it confuses capitalism with capitalist social relations. And thus both protest and text imagine solutions without politics, lack coherence regarding the necessity for a revaluation of labor and a shrinking of the moral confines of the market, and hope for a better world sans class politics as a mechanism.

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