
Race, Nationality and Art (1936)
As political reaction grows, every argument which supports the notion of fixed racial and national differences, acquires a new relevance. It provokes powerful divisions within the masses of the people, who are becoming more articulate and aggressive in their demands for a decent living and control over their own lives. The basic antagonism of worker toward capitalist, debtor toward creditor, is diverted into channels of racial antagonism, which weakens and confuses the masses, but leaves untouched the original relations of rich and poor.