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Author page: Anthony Denzer

It is said, more or less correctly, that Mathsson brought the glashus (glass house) to Sweden after visiting Philip Johnson’s glass house in New Canaan in 1949. The following year he built his own furniture showroom, fully glazed on three sides, bringing a new world of transparency to the Nordic country. Within a few years he had mastered his own brand of glass architecture, a significant contribution to mid-century modernism. And he harbored a larger ambition. While Mathsson acknowledged Sweden’s cold temperatures and limited sun, he soon imagined a new utopia of glass: “I believe that the Swedish homes of the future will be a kind of greenhouse with tropical heat and a swimming pool, as pure opposition to our bad climate [dåliga klimat].”