Forensic Architecture claims to mobilize its own ethics, aesthetics, and rhetoric in the pursuit of forensic knowledge. Weizman and his collaborators have suggested that their methodologies operate outside of, or adjacent to, traditional legal procedures, and lend “new material and aesthetic sensibilities” to legal conceptions of proof. The result is that Forensic Architecture’s evidentiary assemblages have an uncertain, ambivalent relation to spaces of legal deliberation even while they act upon them.