Engendering Pliage: Simon Hantaï’s Meuns
July 1, 2012
Like Lacan’s woman, painting for Hantaï comes to be defined by its condition of pas-tout, “not-all.”
Menu
Like Lacan’s woman, painting for Hantaï comes to be defined by its condition of pas-tout, “not-all.”
nonsite.org is an online, open access, peer-reviewed quarterly journal of scholarship in the arts and humanities. nonsite.org is affiliated with Emory College of Arts and Sciences.
