White-Collar Blues: Allan Sekula Casts an Eye Over the Professional-Managerial Class
December 8, 2021
During the 1970s and early 1980s, Sekula built a theory and practice of photography on his understanding of the aporias inherent to the theory of the PMC, paying particular attention to the figure of the engineer whose task is not confined to the reproduction of capitalist ideology, but plays a central role in the realisation of value.
