Only rarely does the plan survive the making; more often the sculpture takes over, establishing its own rules, its own reality. Each shape goes down on the paper as an expanse of uninflected, transparent color, the shapes are determined by stencils prepared beforehand. As other shapes are added, the overlapping hues create new densities and new colors. Changing the sequence can further alter these tonal and chromatic relationships, creating new spatial suggestions, so that we read each of these unique images differently.
