The Dialectics of Damage: Art, Form, Formlessness: A Reply to Jennifer Ashton
October 9, 2015
Is damaged art still art? There are two ways to approach the question. The first is ontological; it is a question of how much a
Is damaged art still art? There are two ways to approach the question. The first is ontological; it is a question of how much a
What should the revolutionary poet be doing, when crisis – whether it be economic, social, environmental, or for that matter, aesthetic – appears increasingly frequent, inevitable, and irreversible? Or to ask the question in a slightly different form: What poetic forms do these conditions of crisis seem to require?
Art as such does not pre-exist capitalism and will certainly not survive it, but rather presents an unemphatic alterity to it: art is not the before or after of capitalism, but its determinate other.