Politicizing the Centrality of Race in Post War Urban Histories

Making sense of racial politics in any period requires close attention to the political and material interests of the people who make use of racial terminology. In contrast to dominant historical and social science studies of postwar American cities, the work of Judith Stein went beyond mere acknowledgement of this basic insight. Her insistence that the social construction of racial identities is inherently political and context-dependent contributed depth and richness to her historical narratives and offered a telling critique of the politics of her peers in the field.

N+1 and the PMC: A Debate about Moving On

What has led so many of us relatively independently of one another to start thinking about the PMC as a class formation in the first place? My sense is that it has to do with a combination of factors we’ve all been confronting and trying to reckon with concerning 1) tendencies and tensions within what seems to be taking shape as a popular left in the US and UK, 2) the fragility of left-led governments that have been elected in places like Greece and various South American states, 3) how to make sense of and respond to the tide of authoritarian neoliberalism around the world, which I suspect most of us understand as no aberration but an organic outgrowth of several decades of neoliberal hegemony, which in both its “left”-technocratic and right poles rejects and has sought to seal off options for popular politics of any sort and 4) the utter bankruptcy under those conditions of social-democratic parties nearly everywhere.

How New is New Urban Renewal? Class, Redevelopment and Black Politics

The benefits that black professionals received from new urban renewal was less a change in how they define their interests than a change in opportunities to pursue those interests. There has been an underappreciation for the role of class interests in driving black housing professionals and property owners’ politics during the postwar urban renewal period.

Back to Work: Review of David Graeber’s Bullshit Jobs

Bullshit Jobs is one long exercise in evasion—an attempt to go “beyond” capitalism without actually going through it. Graeber prefers the muteness and aphasia of the animal over the interdependence of the speaking subject. Yet as Marx, Engels and contemporaries already recognized, Kant’s ape has to begin to speak and assume his role as a member of coercive communities if history is to ever start.

Granger’s “Challenge to the Youth,” Stein’s Challenge to Historians: Industrial Democracy and the Complexities of Black Politics

Granger and the League’s promotion of trade unionism as a vehicle for civil rights highlights the problem with the commonplace disposition to view the NUL and NAACP through dichotomous lenses like Bookerite or Du Boisian. Such frameworks not only look past institutional politics’ sway over the scope of these civic groups’ agendas, but they may also obscure the influence of changes in the broader political landscape over the parameters of African American civil rights.

Writing the History of Capitalism with Class

I wonder and worry if the fashionability of the field comes from its evasion of this question. Does it spring from a hope…that capital and capitalists can regulate themselves, that in effect, capitalism can have a history sans class politics. As Stein’s work shows, this seems at best naively decontextualized—detached from the actual history of capitalism. And at worst? Then the new history of capitalism looks a lot like the ideological expression of its subject.

Open Letter on the Proposed Destruction of a Mural Cycle

A Federal Art Project mural cycle of thirteen panels devised and painted by Victor Arnautoff in 1936 in a San Francisco high school portrays George Washington as a slave owner and as the author of Native-American genocide. It is an important work of art, produced for all Americans under the auspices of a federal government seeking to ensure the survival of art during the Great Depression. Its meaning and commitments are not in dispute. It exposes and denounces in pictorial form the U.S. history of racism and colonialism. The only viewers who should feel unsafe before this mural are racists.

Of All the Things to Say about Mayor Pete

these positionings continue to have appeal for academics, who are often relatively well-off at elite universities, who have the leisure to pose and play at abjection. Their work distills a schizophrenic desire: they want to run free with the wolves while howling in protest against their exclusion from society. But the authors are in fact very far removed from the lives of the most oppressed and marginalized, who they take as their models and who they purport to represent.