Author: T. J. Clark

From Rolling Mill to Drone Factory: The Sight of Work

Between the VW by the water tower and the masked chicken processor, then, there seems to me a deep connection. The one prepares the ground for the other. Labor under capitalism can eventually proclaim its full visibility because labor is now so thoroughly elided and misrepresented, left behind as a lived conflicted reality—because it has been fully subsumed into the order of the commodity. Or such is the claim. I am with Castoriadis, needless to say, in believing the claim to be necessarily—or at least, empirically—false. We would all like to know what day-to-day detailed struggle of labor against capital goes on in the Deda Processing Plant.

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What Hegel Would Have Said About Monet

The question I promised to pose in this essay was whether we have an art—a nineteenth- or early-twentieth-century art—to which Hegel’s descriptions of world and consciousness can be seen to apply. I seem to be saying that they only apply, in the art I take seriously, in the negative—they are what French painting is out to annihilate. But for Hegel’s view of things to be worth refuting in this way—with Matisse’s special vehemence—surely in the first place there must have been pictures that exemplified it strongly, beautifully. And yes, there were.

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