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Reviews

At the core of Knossos and The Prophets of Modernism lies the problem of historical interpretation. The excavation and reconstruction of the palace at Knossos—paid for and overseen directly by Evans—unveiled extraordinary murals and colorful columns to the public. But as Gere makes clear, the palace was in fact rebuilt in modern concrete, the first such structure on the island. What at first glance appears to be the oldest monument on Crete, turns out to be one of its most modern. Similarly, modern artists simply reimagined many of the famous artworks in the palace taking small fragments of originals as their inspiration
If the agency of color replaces the agency of the artist or the sitter, then what the portraits of Hortense show is a liveliness more animate than any mimetic representation could produce. Indeed, Sidlauskas’s account focuses in detail on Cézanne’s “metaphors of ingestion,” of his “physically absorbing” colors, and of the total identification between the painter and his subjects. Above all, Gasquet provides a vitalist language that best captures Cézanne’s affective forms…