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In June of 2014, nonsite.org, with the support of the Andrew W. Mellon Foundation, sponsored four fellows to do research in the Raymond Danowski Poetry Library at Emory University. Danowski’s synoptic ambition—to collect literally all poetry in English published in the 20th century, including the independent journals, short-run chapbooks and broadsides that gave modernism its distinctive energy—has created an opportunity to examine the materials out of which our accounts of the century have been made, without the influence of a shaping hand.

The work of our B-Side Fellows, presented here, takes the shapelessness of “everything” as a provocation to investigate the divergences between canonical accounts of modernism in poetry; to explore the many roads not taken, whether they manifest in the unedited arc of a career, in the one-off achievement, or the unclassified ephemera of a moment. What else might modernism have been? And how do such reconsiderations of modernism bear on what happens on the flip side of the mid-century divide? Edited by Jennifer Ashton and Oren Izenberg

In this issue, nonsite features new work on 19th-century French art and visual culture, from telegraphy to lithography, Orientalists to Post-Impressionists, Manet to Degas. Edited by Bridget Alsdorf.

In nonsite’s thirteenth issue, we turn to the contemporary relationship between literature and politics in Latin America today. Edited by Eugenio Di Stefano and Emilio Sauri.

In nonsite’s 12th issue, a collection of views on the meaning and uses of postcolonial theory in and around modern Poland, plus photography and ’sixties Paris and a feature essay on Thomas Piketty’s celebrated Capital in the Twenty-First Century.

In nonsite’s tenth issue, we revisit the work of Bertolt Brecht and assess its relevance for today.

Nonsite’s 9th issue focuses on working conditions in higher education. Edited by Victoria H.F. Scott.

In this issue, nonsite turns its attention to music.

Video from talk given at Publishing and the PhD, Institute of Fine Arts, New York University, October 18.

It is a facsimile. It is facial angle: European woman. It is stomach simple, similar to a box. It is on either side of inside. It