Fluxus containers, in summary, initiate the beholder (a holding, handling beholder, maybe a tool-being holder in the Heideggerian sense) to explore and take interest in the world. The boxes sensitize the user to a world where the public is overwhelmed and numbed by the excess goods proliferating, literally ad nauseum, in the world and landing in the seconds bins along Canal Street, where Maciunas made use of them as artworks. The kits express a collective obligation (or opportunity) to repurpose the excess manufactured articles of late capitalism.
A comic that merely uses Nancy, rather than a painting that appropriates Nancy, does not seek to elevate its subject matter. Instead, as is so often the case with Brainard’s Nancy drawings and paintings, the point is to devalue painting, to turn painting into a valueless form, by folding painting into comics.