April 30, 2013
Some Passages from Virgil’s Eclogues

An Exchange of Gifts

From Eclogue V

 

Mopsus

You’re older, Menalcas, you decide

where to sit down and start singing: whether

beneath these shadows, shook and shifted

by the wind, or in that cave

wild vine clusters have almost covered up.

 

Menalcas

If you’ve got any valentines for Phyllis,

or praise for Alcon, or shit to say to Codrus,

go right ahead and sing it, Mopsus;

Tityrus can watch your grazing kids.

 

Mopsus

I’ve been writing a few new verses,

scratching them onto the green bark

of a beech tree, with all the modulations

for the pipe properly marked.

But before you call Amyntas

or anyone else to challenge me, listen:

 

“Daphnis died, and the Nymphs mourned him

as one of their own–you hazel-trees and rivers

watched them weep–while his mother, absurd

with grief, still clutching her son’s corpse,

damned the gods, and damned the cruel stars.

On that day, no one drove his pastured cattle

towards cold waters; no animal at all

drank from a stream, or touched a blade of grass.

And the wild hills and the rude woods

rumored that even the African lions

were moaning at your death, Daphnis,

who knew how to inspire a wine dance, or interweave

the mystic wand with softest leaves.

And since the Fates hauled you off,

two gods have renounced our fields: oat weed

and ugly cockle spurt up in the furrows

where we’d planted barley; in place

of soft violet and purple narcissus,

thistle and thorn. So scatter flowers, shepherds,

make shade by the fountain, and let’s crown

his tomb with a song: I am Daphnis,

famous from this forest to the stars,

more beautiful even than my animals.

 

Menalcas

Your music’s like a nap on the grass

when one needs sleep, or a sweet rill

discovered in thirsty summer. Not just your playing–

a voice to match your master’s as well.

You’ll be the next him, after him.

Now here’s a small strain of my song, which finds

dead Daphnis at the fringes of the stars.

 

“Tentative at the threshold of Olympus,

Daphnis glows and watches clouds crossing

under his feet. And, all at once, sharp pleasure

seizes the woods, the rest of this world,

shepherds, and Pan, and the Dryad girls.

The wolf abandons his nasty plan for the flock.

No nets will trick stags any more,

for Daphnis commands peace. I’ll set out two cups

foaming with fresh milk, two bowls

of olive oil, and I’ll brighten the banquet–

by my fireplace in the winter, or, in summer,

in the shade–with wine strained

into goblets out of strange nectars.

This will be your ritual, Daphnis, you’ll be recalled

every time we pay our contracts

to the Nymphs, whenever bloody sacrifice

cleanses these fields. As long as the boar

adores his mountain and fish live in streams,

as long as bees feed on thyme

and cicadas drink the dew, so will your name,

your honor, and praise persist.

Just as they do to Bacchus and to Ceres,

farmers will now vow wild things to you;

make them keep every last promise.”

 

Mopsus

What can I say, how could anyone repay

such a song? The south wind bustling

in early spring, fantastic breakers

shaking the beach, or faint runoff down rocks

in glens–none have sounded sweeter to me.

What can I give you in return?

 

Menalcas

First, boy, for you: this tender

old hemlock reed. It’s the same one

that learned to play the tunes “I’m not that ugly”

and “You beat Damon? You actually outsang him?”

 

Mopsus

Accept this sheephook, Menalcas.

Though Antigenes always begged me for it–

and this was when his looks deserved the gift–

I never gave it up. It’s pure brass,

crafted so there’s equal space between the knots.

 

 

Against Epic

From Eclogue VI

 

Kings and complex battles–starting out,

I only liked a certain kind of song.

But then Apollo got me by the ear:

A shepherd should keep the flock fat

but his lines refined, like exquisite thread.

So now I woo a rustic muse on this compacted reed.

Don’t worry, General Varus, you’ll find plenty

of poets begging to construct your epics;

it’s simply that I no longer sing

what doesn’t simply come to me.

 

Once two shepherd boys stumbled

upon famous Silenus, splayed out in a cave

and snoring, his garlands discarded,

his two-handled drinking cup

still dangling from his fingers. They grabbed him

and tied him up with his own things–

for often the old man had teased them,

but they’d never gotten to hear him sing.

A nymph named Aegle showed up with mulberry juice

and rubbed it all over the poet’s face.

When Silenus woke and saw the trick, he laughed:

“But why keep me tied? You’ll get your songs,

and Aegle will get me whenever she wants.”

 

Then suddenly the great Silenus is singing.

You can see Fauns and fierce beasts

all keeping time, straight oaks

that can’t help shaking at the crown.

Nothing’s moved the woods like this since Orpheus.

For Silenus sang first of atoms–

seeds of the land, sea, and burning planets–

gathered dancing across the deep; sang how,

from these elements, everything would grow,

even this young orb called the earth,

spinning dry, hardening, until things slowly

owned their forms. The first sunrise stunned

the land, and the clouds, he sang,

now set above, apart, released their rain.

Pine forests started popping up.

Unaware of where they came from

or what they were, animals

rambled across the mountain ranges.

 

Silenus sang of causes and first things,

the stones that Pyrrha threw, Saturn’s reign;

how Prometheus ended up with fire,

the eagles that then fed upon his liver.

A song to comfort Pasiphae, relentless,

in love with a bull and doomed to wander.

A song to twirl bark and moss

around Phaeton’s sisters, turning them all

to weeping alders. A song recalling how Linus,

vatic shepherd, his hair arranged

with bitter parsley and flowers, inducted Gallus

into the order, “with these same reeds

the Muses gave Hesiod, whose songs lured

hard ash trees down from the mountains.”

 

And then the old story of Scylla,

monsters growling out of her bright groin

as she seized the Ithacan ship and made it shake

until, in the sea’s swirling depths,

her dogs had ripped apart each fallen sailor.

Or the legend of Philomela,

one day preparing for a wedding feast

then returned, horribly, a bird,

hovering above the roof of her old home.

 

Every kind of song that Apollo knows,

that the river Eurotas ordered its laurels to learn:

the valleys reverberate with them now.

And though the evening star–it was time

to drive in and count our sheep–

had begun to sweep through the reluctant sky,

Silenus could have kept singing.

 

 

Remembering Another Contest

From Eclogue VII

 

Meliboeus

Daphnis chanced to be just leaning back

beneath a particular whispering holly

when two shepherds arrived together,

Thyrsis leading his sheep, and Corydon

with his swollen goats: two boys

in bloom, Arcadians each, eager to sing

and listen and match each other’s singing.

 

And it happened that, as I was wrapping

crape myrtles against the coming cold,

my he-goat wandered away from his wives

and ended up beneath this same holly tree.

Chasing after him and my scattering flock,

I bumped into Daphnis. “Take a minute, join me

beneath this shade. Your goats will be fine,

your steers will guide themselves to these slack waters

where low reeds meter the banks

and the holy oak thrums with honeybees.”

 

And why not stay? I had no slave at home

to watch my just-weaned lambs,

but I weighed the value of my work

against this chance at play, this once-in-a-lifetime

contest of Thyrsis versus Corydon.

And so, switching verses, they began to sing,

Corydon, then Thyrsis,

as the Muses commanded the lines to come.

 

Corydon

“Mossy springs, grasses deeper

than sleep, my strawberry tree’s

basic shade: defend my flock

from this noon heat. Buds are swelling,

insipid summer’s coming. I can tell.”

 

Thyrsis

“Here where the doorpost gathers soot

around the tang of smoky pitch,

a fire’s always going. We fear the winter

as much as a wolf troubles to count a flock

or a torrent bothers about its banks.”

 

Corydon

“Majestic junipers straight up and down,

prickly chestnut trees, and under each a skirt

of fallen fruit: the entire landscape smiling.

But if my Alex abandoned these hills,

you’d see the rivers themselves dry up.”

 

Thyrsis

“The fields are parched, grass sucks

at the tainted air, Bacchus has wiped his vines

from every hill. But when my Phyllis

comes back, each tree will go green again.

Jupiter will descend, wrapped in happy showers.”

 

Meliboeus

–And that’s as much as I remember:

Thyrsis beaten, but singing hard, still trying to win.

That was the day Corydon became Corydon.

 

About the Author

Nate Klug's Rude Woods, Passages from Virgil's Eclogues, is forthcoming this summer as the third full-length book from The Song Cave. Recent poems have appeared in Harvard Divinity BulletinPoetry, Poetry NorthwestSea Ranch, and the Threepenny Review.


Category: Issue #9, Poetry | RSS 2.0 Responses are currently closed, but you can trackback from your own site. | | Print

Trackbacks/Pingbacks

nonsite.org is an online, open access, peer-reviewed quarterly journal of scholarship in the arts and humanities.
nonsite.org is affiliated with Emory College of Arts and Sciences.
© 2017 all rights reserved. ISSN 2164-1668