October 31, 2012
To Yield a Body
By (University of Chicago)

It is a facsimile. It is facial angle:

European woman. It is stomach

simple, similar to a box. It is on

either side of inside. It is grapple.

It is extracted from lignite and peat.

It is worn by women. It is whether

with gloves, a moveable roof.

It is concerned with whalebone.

It is a writing material made of strips

of parachute. It is myth, cat,

machine. It is a cloth conclusion, of

silt formerly. It is this, thin, azure.

It is the plates of the skull for

signaling. It is a scout concerned.

It is the envelope embloomed.

It is cavity, clock, cloth. It is a paper

book. It is plasticized. It is of sea

or not. It is to a petal of another

person. It is as wine of a mixture.

It is when the sum moved.

It is knot, see illus. It is alone

and onerous. It is veins as emissary.

It is a sickle compressed. It is a pair

of ghosted cranes, of silk formerly.

It is dignified, sedate, staid, etc.

It is where repair works gore

(of a skirt). It is to the library

foundered. It is a clumsy patch.

It is when the issue is one not of fact

but of law. It is banish.

About the Author

Stephanie Anderson is the author of two books of poetry, In the Key of Those Who Can No Longer Organize Their Environments (Horse Less Press) and Variants on Binding (forthcoming, National Poetry Review Press). She is a PhD candidate at the University of Chicago and edits the micropress Projective Industries.

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