Walter Benn Michael’s “Neoliberal Aesthetics: Fried, Rancière and the Form of the Photograph,” published in our first issue, has generated responses from Michael Clune, Nicholas Brown, and Todd Cronan.
The political meaning of the refusal of form (the political meaning of the critique of the work’s “coherence”) is the indifference to those social structures that, not produced by how we see, cannot be overcome by seeing differently. It’s this refusal of form…
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