Max Horkheimer and The Sociology of Class Relations

In the fall of 1943 Max Horkheimer composed multiple drafts of an essay entitled “On the Sociology of Class Relations.” The essay was intended for inclusion in the collaborative project with Theodor W. Adorno which came to be called The Dialectic of Enlightenment. One indication that the essay was crucial to their project was that Horkheimer solicited several responses to the working drafts including comments from Franz Neumann and Herbert Marcuse (on the East coast) and Friedrich Pollock and Adorno (in Los Angeles with Horkheimer). Undoubtedly the handwritten notes that annotate several of the type-script pages reflects some of the comments he received from his respondents. More mysterious is the fact that the essay was never published in the form presented here. Paragraphs from it appear in Eclipse of Reason (1947), and long passages comprise a German edition of the text in the Nachlass (volume 12) but that version is a contemporary product of the editors. What appears here for the first time is Horkheimer’s original essay in full and in its original English-language format. To say that Horkheimer’s command of English was far from fluent in 1943 will be clear to readers at once. I have done my best to reconstruct the text from the type-script original which was overlain, probably over many months, if not years, with hand-written notes, alterations and additions.

The value of this text requires some comment. There is of course the intrinsic worth of Horkheimer’s essay, and its relevance to one of the monuments of Western Marxism. What draws this text into the space of nonsite.org’s concerns is the intersection of union organization—what Horkheimer critically elaborates here under a general theory of “rackets”—and Marxism. To say unions and Marxism share a tense history is an understatement. Even a passing glance at Lenin’s What is To Be Done? indicates how centrally trade unions figured as an internal enemy to the Marxist cause. Horkheimer follows in this tradition in some large part. By the time Lenin came to write “Left-wing” Communism: An Infantile Disorder in 1920, an essay devoted to the strategic art of compromise, he had altered, or substantially inflected, his view of the trade union movement as well as parliamentary politics. At this moment the Supreme Court is poised to offer yet another in a long series of blows against unionization in the United States. To what extent did and do Leftist thinkers contribute to the current assault on unions? To what extent can and should Marxism resist this tendency?

The invited respondents to Horkheimer’s text—James Schmidt, John Lysaker, Chris Cutrone, Nicholas Brown and David Jenemann, whose task is respondent to the above—take up various positions in regards to the ongoing debate around unions and Marxism. We hope that the publication of Horkheimer’s key text, and the responses by contemporaries will encourage further discussion around this problem.

—Todd Cronan, nonsite.org

James Schmidt

James Schmidt, Professoer of Political Science at Boston University, specializes in European intellectual history and the history of political and social thought from the eighteenth century to the present. He is the author of Maurice Merleau-Ponty: Between Phenomenology and Structuralism (1985) and the editor of What is Enlightenment? Eighteenth-Century Answers and Twentieth-Century Questions (1996) and Theodor Adorno (2007) and co-editor, with Amelie Rorty, of the Critical Guide to Kant's Idea for a Universal History (2009). The recipient of a number of grants from the National Endowment for the Humanities, he also received the James L. Clifford Prize from the American Society for Eighteenth-Century Studies and was a Fellow at the Liguria Center for the Arts and Humanities.

John Lysaker

John Lysaker is Professor of Philosophy at Emory University. Drawing from the traditions of phenomenology, American romanticism, and critical social theory, he works in the philosophy of art, philosophical psychology, and political philosophy. His published work ranges from studies of Emerson to poetics to the nature of schizophrenia, all of which remain ongoing concerns. His current projects in the philosophy of art include a short volume on Brian Eno's "Music for Airports" and a treatise on the nature of art entitled "Dear Glaucon: Finding Our Bearings with the Work of Art.

Chris Cutrone

Nicholas Brown

Nicholas Brown teaches in the departments of English and African American Studies at the University of Illinois at Chicago. His most recent book is Autonomy: The Social Ontology of Art Under Capitalism (Duke, 2019).

David Jenemann

David Jenemann is Associate Professor at The University of Vermont where he teaches courses in film and television theory, critical theory, genre, and global cinema. He has published essays on the film theories of Gilles Deleuze and Theodor W. Adorno as well as on the poet and novelist Kenneth Fearing. His areas of research interest include film and television, critical theory, modernism, and twentieth century literature. He is currently working on a book on anti-intellectualism in America.

Max Horkheimer and The Sociology of Class Relations

In the fall of 1943 Max Horkheimer composed multiple drafts of an essay entitled “On the Sociology of Class Relations.” The essay was intended for inclusion in the collaborative project with Theodor W. Adorno which came to be called The Dialectic of Enlightenment. One indication that the essay was crucial to their project was that Horkheimer solicited several responses to the working drafts including comments from Franz Neumann and Herbert Marcuse (on the East coast) and Friedrich Pollock and Adorno (in Los Angeles with Horkheimer). Undoubtedly the handwritten notes that annotate several of the type-script pages reflects some of the comments he received from his respondents. More mysterious is the fact that the essay was never published in the form presented here. Paragraphs from it appear in Eclipse of Reason (1947), and long passages comprise a German edition of the text in the Nachlass (volume 12) but that version is a contemporary product of the editors. What appears here for the first time is Horkheimer’s original essay in full and in its original English-language format. To say that Horkheimer’s command of English was far from fluent in 1943 will be clear to readers at once. I have done my best to reconstruct the text from the type-script original which was overlain, probably over many months, if not years, with hand-written notes, alterations and additions.

The value of this text requires some comment. There is of course the intrinsic worth of Horkheimer’s essay, and its relevance to one of the monuments of Western Marxism. What draws this text into the space of nonsite.org’s concerns is the intersection of union organization—what Horkheimer critically elaborates here under a general theory of “rackets”—and Marxism. To say unions and Marxism share a tense history is an understatement. Even a passing glance at Lenin’s What is To Be Done? indicates how centrally trade unions figured as an internal enemy to the Marxist cause. Horkheimer follows in this tradition in some large part. By the time Lenin came to write “Left-wing” Communism: An Infantile Disorder in 1920, an essay devoted to the strategic art of compromise, he had altered, or substantially inflected, his view of the trade union movement as well as parliamentary politics. At this moment the Supreme Court is poised to offer yet another in a long series of blows against unionization in the United States. To what extent did and do Leftist thinkers contribute to the current assault on unions? To what extent can and should Marxism resist this tendency?

The invited respondents to Horkheimer’s text—James Schmidt, John Lysaker, Chris Cutrone, Nicholas Brown and David Jenemann, whose task is respondent to the above—take up various positions in regards to the ongoing debate around unions and Marxism. We hope that the publication of Horkheimer’s key text, and the responses by contemporaries will encourage further discussion around this problem.

—Todd Cronan, nonsite.org

James Schmidt

James Schmidt, Professoer of Political Science at Boston University, specializes in European intellectual history and the history of political and social thought from the eighteenth century to the present. He is the author of Maurice Merleau-Ponty: Between Phenomenology and Structuralism (1985) and the editor of What is Enlightenment? Eighteenth-Century Answers and Twentieth-Century Questions (1996) and Theodor Adorno (2007) and co-editor, with Amelie Rorty, of the Critical Guide to Kant's Idea for a Universal History (2009). The recipient of a number of grants from the National Endowment for the Humanities, he also received the James L. Clifford Prize from the American Society for Eighteenth-Century Studies and was a Fellow at the Liguria Center for the Arts and Humanities.

John Lysaker

John Lysaker is Professor of Philosophy at Emory University. Drawing from the traditions of phenomenology, American romanticism, and critical social theory, he works in the philosophy of art, philosophical psychology, and political philosophy. His published work ranges from studies of Emerson to poetics to the nature of schizophrenia, all of which remain ongoing concerns. His current projects in the philosophy of art include a short volume on Brian Eno's "Music for Airports" and a treatise on the nature of art entitled "Dear Glaucon: Finding Our Bearings with the Work of Art.

Chris Cutrone

Nicholas Brown

Nicholas Brown teaches in the departments of English and African American Studies at the University of Illinois at Chicago. His most recent book is Autonomy: The Social Ontology of Art Under Capitalism (Duke, 2019).

David Jenemann

David Jenemann is Associate Professor at The University of Vermont where he teaches courses in film and television theory, critical theory, genre, and global cinema. He has published essays on the film theories of Gilles Deleuze and Theodor W. Adorno as well as on the poet and novelist Kenneth Fearing. His areas of research interest include film and television, critical theory, modernism, and twentieth century literature. He is currently working on a book on anti-intellectualism in America.