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Todd Cronan and Simon Critchley, “The Ontology of Photographic Seeing”

Articles Issue #9
BY Todd Cronan
April 30, 2013

Video of Todd Cronan and Simon Critchley in conversation at The Photographic Universe II, April 10-11 at Parsons The New School for Design.

Todd Cronan

Todd Cronan is Associate Professor of art history at Emory University. He is the author of Against Affective Formalism: Matisse, Bergson, Modernism (Univ. of Minnesota Press, 2014). His currently working on three books: Red Aesthetics considers what a Left artistic practice might look like (and not look like), focused on the interwar work of Rodchenko, Brecht and Sergei Eisenstein. A second book is a luxury edition of Minor White’s photographic daybooks called the Memorable Fancies (Princeton University Press, 2021). A third book on mid-century modern architecture, design, theory and politics in California focuses on the work of R. M. Schindler, Richard Neutra, Charles and Ray Eames, Buckminster Fuller, and Reyner Banham.

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Todd Cronan and Simon Critchley, “The Ontology of Photographic Seeing”

Todd Cronan

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