Neoliberalism

More Neoliberal Art History: Pamela Lee’s Mid-Century Modern

That individual experience is what is at stake in an analysis like Lee’s and in projects like the Multinode Metagame and the Opsroom installation means that they are always different, always changing, always occasioning new “meanings.” This is the polysemic, and the polysemic is not the opposition, but the alibi of neoliberalism. It provides cover for exploitation, the glitter of a thousand stars to transfix the thousands of victims while their pockets are being picked.

Mazzocchi and the Moment

The most immediate challenge we face now is to prepare for what is going to be the political equivalent of a street fight that we’ll have to wage between now and at least 2018 just to preserve space for getting onto the offensive against the horrors likely to come at us from Trump, the Republican congress, and random Brown Shirt elements Trump’s victory has emboldened. At the same time, however, we need to reflect on the extent to which progressive practice has absorbed the ideological premises of left-neoliberalism.

Splendors and Miseries of the Antiracist “Left”

Proliferation of this Kabuki theater politics among leftists stems in part from the dialectic of desperation and wishful thinking that underlies the cargo-cult tendency; it is commonly driven by an understandable sense of urgency that the dangers facing us are so grave as to require some immediate action in response. That dialectic encourages immediatist fantasies as well as tendencies to define the direct goal of political action as exposing, or bearing witness against, injustice.

A Note from “His Collaborator”

The trivial truth is that what they mean by challenging the operation of capitalist markets (i.e. massive downward redistribution) would indeed reduce racialized poverty, for the obvious reason that (as Adolph and I and millions of others keep on tiresomely repeating) precisely because black people are disproportionately poor all efforts of redistribution will disproportionately benefit them. The totally false idea is that a challenge to racial disparities gets you out from under what Reed calls “neoliberalism’s logic.” In fact, unlocking inherited inequality (racialized or not) and achieving real equality of opportunity (hence more upward mobility) is left neoliberalism’s wet dream.

How Racial Disparity Does Not Help Make Sense of Patterns of Police Violence

My point is not in any way to make light of the gravity of the injustice or to diminish outrage about police violence….However, noting a decline—or substantial change in either direction for that matter—in the rate of police killings does underscore the inadequacy of reified, transhistorical abstractions like “racism” or “white supremacy” for making sense of the nature and sources of police abuse of black Americans. Racism and white supremacy don’t really explain how anything happens. They’re at best shorthand characterizations of more complex, or at least discrete, actions taken by people in social contexts; at worst, and, alas, more often in our political moment, they’re invoked as alternatives to explanation

Class Struggle in Brazil: Who Will Defend the Working Class?

The political farce perpetrated against the Brazilian people on Sunday, April 17, when the country’s national congress approved the impeachment of President Dilma Rousseff is a critical moment in an ongoing class war against the left, labor and the poor. Instead of an exercise in democratic political sovereignty, as the center-right coalition would prefer the rest of the world believe, the congressional vote is a de-facto political coup.

Can We Criticize Foucault?

Foucault was highly attracted to economic liberalism: he saw in it the possibility of a form of governmentality that was much less normative and authoritarian than the socialist and communist left, which he saw as totally obsolete. He especially saw in neoliberalism a “much less bureaucratic” and “much less disciplinarian” form of politics than that offered by the postwar welfare state. He seemed to imagine a neoliberalism that wouldn’t project its anthropological models on the individual, that would offer individuals greater autonomy vis-à-vis the state.

Response to Jay and Sustar & Bean

Both these pieces betray a really naïve or underdeveloped understanding of electoral action, its costs and benefits, the unavoidable messiness of engaging in it. And, by the way, the same messiness applies to all efforts to build and maintain broad alliances, all of which require finding ways to navigate locating points of agreement and looking the other way at least temporarily at potentially serious differences and contradictions.

Making it Visible: Latin Americanist Criticism, Literature, and the Question of Exploitation Today

This conception of art, however, is not just limited to fiction; and indeed, it also underlies a dominant strain of Latin Americanist thought that comprises the focus of this essay, and for which this unframing has been conceived as a point of departure for a host of theoretical positions not just on art, nor on literature alone, but on politics as well. These positions includethe testimonio criticism, affect theory, postautonomy, and posthegemony. Despite apparent differences between these, we argue that what has unified Latin Americanist criticism and theory at least since the 1980s, is this question of the frame, or more precisely, the effort to imagine how the text dissolves it.

From Posthegemony to Pierre Menard

Likewise, if meaning is made by the reader, then the difference between the two texts could never be the kind that Borges’s narrator identifies which essentially derive from the difference between two authors and their intentions and not the difference between two contexts of reading, or two experiences of reading. Specifically, like in Cortázar text above, the differences would have to include everything that is part of the reader’s experience of them, including, for example, the typographical differences between Cervantes’s Don Quixote and Menard’s.

Towards an Art of Landscapes and Loans: Sergio Chejfec and the Politics of Literary Form

Without a representation of the operation of the credit system and the knowledge that comes from it, we are limited to sensing debt as simply part of our own experiences, as something natural and determined. In a period in which credit is absorbed into the flow of everyday life, where debt is both everywhere invisible and indeterminate, how can we see capital and map our relation to it?